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Q1. <ÄÉÀÌÆË µ¥¸ó ÇåÅͽº>¿¡ Âü¿©ÇÏ°Ô µÈ °è±â´Â ¹«¾ùÀΰ¡¿ä? Á¦ÀÛÁøÀ¸·ÎºÎÅÍ ÆíÁö¸¦ ¹Þ¾Ò´Ù´Â ÀÏȰ¡ Àִµ¥ »ç½ÇÀΰ¡¿ä?
A: »õ·Î¿î À帣, º¸À̽º ¾×ÆÃÀ̶ó´Â ÀÛ¾÷ ¹æ½Ä¿¡ ´ëÇÑ È£±â½ÉÀÌ ÀÖ¾ú¾î¿ä.
±×¸®°í ÇØ¿Ü¿¡¼ Å« »ç¶ûÀ» º¸³» Áֽô ÆÒºÐµé¿¡°Ô ¹«¾ð°¡ Áñ°Å¿î ±â¾ïÀ» ³²°Üµå¸®°í ½ÍÀº ¸¶À½ÀÌ Äǰí¿ä. ÀÛǰÀÌ ÁÖ´Â ¡®»ç¶û¡¯À̶ó´Â ¸Þ½ÃÁö¸¦ À½¾Ç°ú K-popÀ» ÅëÇØ ÀüÇÏ´Â ¹æ¹ýµµ µ¶Æ¯ÇÏ°Ô ´Ù°¡¿Ô¾î¿ä.
ÇÁ·ÎÁ§Æ®¿¡ Âü¿©Çϱâ Àü¿¡ ¸Å±â ° °¨µ¶´Ô²²¼ ÆíÁö¸¦ º¸³»Á̴ּµ¥, ±× ¾È¿¡¼ Àú¿¡ ´ëÇÑ µû¶æÇÑ °ü½É°ú ÀÛǰ¿¡ ´ëÇÑ ±íÀº ¾ÖÁ¤À» ´À³¥ ¼ö ÀÖ¾ú¾î¿ä. ±× Áø½ÉÀ» ¹Ï¾ú°í, ÇÔ²² ÁÁÀº °á°ú¸¦ ¸¸µé°í ½Í´Ù´Â ¸¶À½ÀÌ ÀÚ¿¬½º·´°Ô »ý°å½À´Ï´Ù.
Q2. <ÄÉÀÌÆË µ¥¸ó ÇåÅͽº>´Â ¾î¶² ÀÛǰÀΰ¡¿ä?
A: Á¤¸» ¸¹Àº ¸Å·ÂÀ» ǰ°í ÀÖ´Â ÀÛǰÀÌ¿¡¿ä. ÀÌ ÀÛǰÀº ÆÇŸÁöÀ̸é¼, ¿ì¸® Çö½Ç°ú ¸Â´ê¾Æ ÀÖ´Â À̾߱⿹¿ä. Á¦°¡ ÁÁ¾ÆÇÏ´Â Çѱ¹¾î Áß¿¡ ¡°¾Æ¸§´ä´Ù¡±¶ó´Â ¸»ÀÌ Àִµ¥, ±× ¾È¿¡´Â ¡°³ª´ä´Ù¡±¶ó´Â Àǹ̵µ ´ã°Ü Àְŵç¿ä. ÀÌ ÀÛǰ ¼Ó¿¡µµ °¢ÀÚ°¡ °¡Áø °íÀ¯ÇÑ ¾Æ¸§´Ù¿òÀ» ¹Þ¾ÆµéÀ̰í, ÀڽŸ¸ÀÇ Æ¯º°ÇÔÀ» ÀÎÁ¤Çϸç, ÀÖ´Â ±×´ë·ÎÀÇ ÀÚ½ÅÀ» »ç¶ûÇÏÀÚ¶ó´Â ¸Þ½ÃÁö¸¦ ´ã°í ÀÖ¾î¿ä.
Q3. º»ÀÎÀÌ ¿¬±âÇÑ Ä³¸¯ÅÍ ¡®Áø¿ì¡¯´Â ¾î¶² Àι°Àΰ¡¿ä?
A: Áø¿ì´Â °¡Á·µé°ú ÇÔ²²Çϱâ À§ÇØ ±Í¸¶¿Í °Å·¡ÇÏ´Â À§ÇèÇÑ ¼±ÅÃÀ» Çß°í, ±× ´ë°¡·Î ¿µÈ¥À» ÀÒ°Ô µÅ¿ä. ±×·³¿¡µµ Àΰ£¿¡ ´ëÇÑ ¾ÖÁ¤°ú µû¶æÇÔÀ» °£Á÷ÇÑ Ã¤ »ì¾Æ°¡´Â µû¶æÇÔÀ» Áö´Ñ Àι°À̶ó°í »ý°¢ÇØ¿ä. ±×·± Á¡¿¡¼ ½ÃûÀÚµéÀÌ ¿¬¹Î°ú »ç¶ûÀ» ÇÔ²² ´À³¥ ¼ö ÀÖÀ» µí ÇÕ´Ï´Ù.
Q4. ³ìÀ½ ¹æ½ÄÀÌ Æ¯º°ÇÏ´Ù°í µé¾ú¾î¿ä.
A: (ù ¸¸³²À» Á¦¿ÜÇϰí) Á¦°¡ Çѱ¹¿¡ ÀÖ°í Á¦ÀÛÁøÀº ¹Ì±¹¿¡ ÀÖ¾î¼ È»óÀ¸·Î ÀÛ¾÷À» ÁøÇàÇß¾î¿ä. ³ìÀ½ ´ç½Ã¿¡´Â ¸¶ÀÌÅ© ¿·¿¡ Ä«¸Þ¶ó¸¦ µÎ°í, Á¦ ¸ñ¼Ò¸®»Ó ¾Æ´Ï¶ó ¾ó±¼ Ç¥Á¤°ú ¿òÁ÷ÀÓ±îÁö ÇÔ²² ÃÔ¿µÇß¾î¿ä. ±×·¸°Ô ±â·ÏµÈ ·¹ÆÛ·±½º ¿µ»óÀº Áø¿ì¶ó´Â ij¸¯Å͸¦ ¸¸µé ¶§ ij¸¯ÅÍÀÇ Ç¥Á¤°ú °¨Á¤, ¿òÁ÷ÀÓÀ» µðÅ×ÀÏÇÏ°Ô ¹¦»çÇϴµ¥ ¹Ý¿µµÇ¾úÁÒ. ½ÇÁ¦·Î ¿Ï¼ºµÈ Áø¿ìÀÇ ¾ó±¼°ú ½ºÅ¸ÀÏÀº Á¦ ¸ð½ÀÀ» ±â¹ÝÀ¸·Î ÇÑ ºÎºÐÀÌ ÀÖ¾î¿ä. Èĵ导 °°Àº ÀÇ»ó±îÁöµµ¿ä. ´Ü¼øÇÑ º¸À̽º ¾×ÆÃÀ» ³Ñ¾î¼ ¸ö°ú Ç¥Á¤ÀÌ ÇÔ²² ³ì¾Æµç ÀÛ¾÷À̾ú°í, ÀÌ·¯ÇÑ ±×·± °úÁ¤µéÀÌ Ä³¸¯ÅÍ¿¡ »ý¸í·ÂÀ» ºÒ¾î³Ö´Â µ¥ Áß¿äÇÑ ¿ªÇÒÀ» Çß´Ù°í »ý°¢ÇØ¿ä. ÀÌ·± °úÁ¤°ú Á¦ÀÛÆÀÀÇ ³ë·ÂÀ» ÅëÇØ Áø¿ì¿Í Á¦°¡ µ¿±âÈ µÉ ¼ö ÀÖ¾ú´ø ´ø °Í °°¾Æ¿ä.
Q5. ¸Å±â ° °¨µ¶´Ô, ±×¸®°í Å©¸®½º ¾ÖÇÃÇѽº °¨µ¶´Ô°úÀÇ ÀÛ¾÷Àº ¾î¶®³ª¿ä?
A: ¸Å±â ° °¨µ¶´Ô, ±×¸®°í Å©¸®½º ¾ÖÇÃÇѽº °¨µ¶´Ô°ú ÇÔ²² ÀÛ¾÷ÇÒ ¼ö ÀÖ¾î¼ Á¤¸» ¿µ±¤À̾ú½À´Ï´Ù. ¾Ö´Ï¸ÞÀ̼ÇÀ̶ó´Â À帣 ÀÚü°¡ Àú¿¡°Ô´Â óÀ½ Á¢ÇÏ´Â »õ·Î¿î ÀÛ¾÷ ¹æ½ÄÀ̾ú±â ¶§¹®¿¡ ³¸¼³°í ¾î·Á¿î ºÎºÐµµ ÀÖ¾ú´Âµ¥¿ä, ±×·² ¶§¸¶´Ù °¨µ¶´Ô µÎ ºÐ²²¼ ¼¶¼¼ÇÏ°í µû¶æÇÏ°Ô À̲ø¾î Áּż ºü¸£°Ô ÀûÀÀÇÒ ¼ö ÀÖ¾ú´ø °Í °°¾Æ¿ä.
¿¹¸¦ µé¾î °¨Á¤ÀÇ È帧À» ¸ñ¼Ò¸®¸¸À¸·Î ¾î¶»°Ô Àü´ÞÇÒ ¼ö ÀÖÀ»Áö¿¡ ´ëÇØ¼¿ä. °°Àº Àå¸éÀÌ¶óµµ °¨Á¤ÀÇ ³óµµ³ª ¸»ÀÇ ¼Óµµ, °£°Ý µîÀ» ´Ù¾çÇÏ°Ô ½ÃµµÇØ º¸°Ô ÇϽøé¼, ¾Ö´Ï¸ÞÀÌ¼Ç ¾È¿¡¼µµ ij¸¯ÅͰ¡ ÈξÀ ´õ ÀÔüÀûÀ¸·Î »ì¾Æ³¯ ¼ö ÀÖµµ·Ï µµ¿ÍÁ̴ּø °Ô Àλó ±í¾ú°í ÀÚÀ¯·Ó°Ô Ç¥ÇöÇÒ ¼ö ÀÖµµ·Ï ¿¸° ȯ°æÀ» ¸¸µé¾î Áּż °¨»çÇß½À´Ï´Ù.

Q6. Áø¿ìÀÇ ³»¸é ¼Ó ¾Ç¸¶´Â ¾î¶² ¸ð½ÀÀΰ¡¿ä?
A: Áø¿ìÀÇ ³»¸é ¼Ó ¾Ç¸¶´Â ±×¸¦ Áþ´·¯¿Â °íÅë°ú ÁËÃ¥°¨, ±×¸®°í ¾î¿ ¼ö ¾ø´ø ¼±Åÿ¡¼ ºñ·ÔµÈ °íÅë°ú ÈÄȸ·Î ¸¸µé¾îÁ³¾î¿ä. ¾î¿ ¼ö ¾ø´Â °áÁ¤À̾ú´Ù°í ÇØµµ, ±× ±â¾ïµéÀÌ °è¼ÓÇØ¼ ±×¸¦ ±«·ÓÈ÷ÁÒ.
³»¸éÀÇ ¸ñ¼Ò¸®´Â ³·°í ¹«°Å¿î ¼Ó»èÀÓó·³ ´Ù°¡¿À¸ç, ´Ã ¿ÇÀº ¹æÇâÀ» ¹æÇØÇϰí Èçµé¾î¿ä.
ÀÌ·± ³»¸éÀÇ ¾îµÒÀ» Á÷¸éÇÏ°í ¹Þ¾ÆµéÀÌ´Â °Ç °áÄÚ ½±Áö ¾ÊÁö¸¸, °á±¹ ¿ì¸® ¸ðµÎ°¡ °Þ°Ô µÇ´Â °úÁ¤À̶ó°í »ý°¢ÇØ¿ä. ±×·± ½Ã°£À» ÅëÇØ ÀÚ½ÅÀ» ¸¶ÁÖÇϰí, Á¶±Ý ´õ ´Ü´ÜÇÑ »ç¶÷À¸·Î ³ª¾Æ°¥ ¼ö ÀÖ´Ù°í ¹Ï¾î¿ä.
Q 7. ÀÌ ¿µÈÀÇ ¹è°æÀÌ µÇ´Â ¼¼°è´Â ¾î¶² °÷Àΰ¡¿ä?
A: ÆÇŸÁöó·³ º¸ÀÌÁö¸¸, ÀÚ¼¼È÷ µé¿©´Ùº¸¸é ¿ì¸®°¡ »ç´Â ¼¼»ó°ú ´à¾Æ ÀÖ¾î¿ä. ¼±°ú ¾ÇÀÌ °øÁ¸Çϰí, »ç¶÷µéÀÇ ¿å¸Á°ú Èñ»ýÀÌ ºÎµúÈ÷´Â °÷ÀÌÁÒ. ±× ¾È¿¡¼ K-POPÀº Èñ¸ÁÀÇ »ó¡ó·³ ÀÛ¿ëÇÏ´Â Á¸ÀçÀÎ °Í °°¾Æ¿ä.
Q 8. óÀ½ ÀÌ ¿µÈ¸¦ ºÃÀ» ¶§ ¾î¶² ±âºÐÀÌ µé¾ú³ª¿ä?
A: ÀÌ·ç ¸»ÇÒ ¼ö ¾øÀÌ ¹º°¡ °¡½¿ÀÌ ²Ë Âù ´À³¦ÀÌ µé¾ú¾î¿ä.
´ëº»À» ÀÐÀ¸¸é¼µµ Àç¹ÌÀÖ´Ù°í ´À²¼Áö¸¸, ¾Ö´Ï¸ÞÀ̼ÇÀ̶ó´Â À帣 ÀÚü°¡ Àú¿¡°Õ Àͼ÷ÇÏÁö ¾Ê¾Ò±â ¶§¹®¿¡, °ú¿¬ ÀÌ°Ô ¾î¶»°Ô ±¸ÇöµÉ±î »ó»óÀÌ Àß ¾È µÆ°Åµç¿ä. ±×·±µ¥ ¸·»ó ¿Ï¼ºµÈ ¿µÈ¸¦ º¸´Ï, Á¦°¡ »ó»óÇß´ø °É ÈξÀ ¶Ù¾î³Ñ´Â, Á¤¸» ¹Ï±â ¾î·Á¿ï ¸¸Å ¾Æ¸§´ä°í °¨µ¿ÀûÀÎ ÀÛǰÀÌ µÇ¾î ÀÖ¾ú¾î¿ä. ÇÑ Àå¸é ÇÑ Àå¸éÀÌ ¸¶Ä¡ ²Þó·³ ´À²¸Á³¾î¿ä.
¹«¾ùº¸´Ù ÀÌ ÀÛǰÀ» º¸°Ô µÉ Á¦ ÆÒºÐµéÀÌ ÀÖ´Ù¸é, ÀÌ Áñ°Å¿òÀ» ÇÔ²² ³ª´©°í ½Í¾î¿ä. ¿©·¯ºÐµµ Àúó·³ ÀÌ À̾߱⿡ ºüÁ®µé°í, ±× ¾ÈÀÇ Àç¹Ì¿Í °¨µ¿À» ÇÔ²² ´À³¢½Ã±æ ¹Ù¶ø´Ï´Ù.
Q 9. ÀÌ ¿µÈ°¡ Áö±Ý±îÁö º¸¼Ì´ø ¾Ö´Ï¸ÞÀ̼ǵé°ú °¡Àå ´Ù¸¥ Á¡Àº ¾î¶² ºÎºÐÀΰ¡¿ä?
A: °¨Á¤ÀÌ Áß½ÉÀÌ µÇ´Â ¾Ö´Ï¸ÞÀ̼ÇÀ̶ó´Â Á¡ÀÌ °¡Àå Å« Â÷º°Á¡À̾ú´ø °Í °°¾Æ¿ä. º¸Åë ¾Ö´Ï¸ÞÀ̼ǿ¡¼´Â À½¾ÇÀÌ ¹è°æÃ³·³ Á¸ÀçÇÏ´Â °æ¿ì°¡ ¸¹Àºµ¥, ÀÌ ÀÛǰÀº À½¾Ç°ú À̾߱â, °¨Á¤ÀÌ À¯±âÀûÀ¸·Î ¿¬°áµÅ ÀÖ¾î¼ ¹«´ëó·³ ´À²¸Áö±âµµ Çß°í, µ¿½Ã¿¡ ÇÑ ÆíÀÇ ¿µÈÀÌÀÚ ÆÛÆ÷¸Õ½º·Îµµ ´Ù°¡¿Ô¾î¿ä. ÀÌ·± ±¸¼ºÀÌ Àú¿¡°Ô´Â ±²ÀåÈ÷ »õ·Ó°í Àλó ±í¾ú¾î¿ä.
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A: ´©±¸¿¡°Ô³ª ³»¸éÀÇ ¾îµÒÀº ÀÖ°í, ¶§·Î´Â ±×°É ÀÎÁ¤ÇÏ°í ¸¶ÁÖÇÏ´Â ¿ë±â°¡ ÇÊ¿äÇÏ´Ù´Â ¸Þ½ÃÁö°¡ ÀüÇØÁ³À¸¸é ÁÁ°Ú¾î¿ä. ±×¸®°í °á±¹¿£ ÀڽŸ¸ÀÇ ¸ñ¼Ò¸®¸¦ ¹Ï°í, ³ª¾Æ°¥ ¼ö ÀÖ´Â ÈûÀ» ¾ò´Â À̾߱â¶ó´Â Á¡¿¡¼, ¸¹Àº ºÐµé¿¡°Ô À§·Î¿Í ¿ë±â°¡ µÇ¾úÀ¸¸é ÇØ¿ä.
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[ENG]

From a Director¡¯s Heartfelt Letter to Mastering Voice Acting: Ahn Hyo-seop Becomes a Global Talent
Actor Ahn Hyo-seop is making waves with his voice role in the Netflix animated film KPop Demon Hunters, which ranked in the Top 10 across 93 countries and claimed the No. 1 spot in 41 countries shortly after its release. At the heart of this global success is Ahn Hyo-seop, who voices the lead character, ¡°Jinu.¡±
KPop Demon Hunters was co-directed by Korean Canadian filmmaker Maggie Kang and Chris Appelhans (Wish Dragon), and co-produced by Sony Pictures Animation, known for global hits such as Spider-Man: Into the Spider-Verse. The main voice cast includes Arden Cho as Rumi, Ken Jeong as Bobby, and Lee Byung-hun as Gwima.
The film stands out for capturing both the essence of Korean identity and universal themes. Ahn Hyo-seop¡¯s agency, The Present Company, shared: ¡°K-POP is no longer just a genre; it¡¯s become a central element in shaping global content.¡±
Ahn Hyo-seop takes on the role of Jinu, a member of the K-pop boy group ¡°Saja Boys,¡± delivering all his lines in English. His emotionally nuanced performance, conveyed solely through voice, has earned widespread acclaim and enhanced the film¡¯s immersive experience.
A portion of this interview was also featured as a video on Netflix¡¯s official global channels, highlighting the significance of his role.
With KPop Demon Hunters, Ahn Hyo-seop expands his range as an actor and further proves his global appeal. Particularly noteworthy is the story of co-director Maggie Kang sending him a handwritten letter inviting him to join the cast, a heartfelt gesture that reflects the production team¡¯s trust and admiration.
He is currently preparing for the release of the feature film Omniscient Reader, premiering on July 23, and is actively filming the new drama Sold Out Again Today. With his acting depth and genuine sincerity toward fans, his momentum shows no signs of slowing down.
[ One-on-One with Ahn Hyo-seop, Voice of ¡°Jinu¡± in KPop Demon Hunters]
Q1. How did you become a part of this project? Is it true that you received a personal letter from the directors?
A: I was curious about exploring a new genre, voice acting. I also wanted to create something memorable and joyful for fans who have shown so much love from overseas. The way this project delivers the message of love through music and K-pop felt especialy unique and meaningful to me. Before joining the project, director Maggie Kang sent me a letter. Through it, I could realy feel their warmth toward me and their deep affection for the story. I trusted that sincerity, and it naturaly made me want to work with them to create something truly special.
Q2. Give us a brief description of what KPOP DEMON HUNTERS is about?
A: <KPop Demon Hunters> has so many different charms. One of my favorite Korean words is ¾Æ¸§´ä´Ù, which means ¡°beautiful,¡± but it also carries the nuance of being ¡°true to oneself.¡± The story embraces that idea that everyone has their own unique beauty, and that accepting our differences can be empowering. As you folow Huntrix and Saja Boys on their journey, I hope you¡¯ll enjoy their music and feel the energy that comes with it.
Q3. Tell us about your character - what is his story
A: A long time ago, this character made a dangerous but life-changing decision, to make a deal with Gwima in order to be with his family. That choice led to suffering and being trapped in darkness, with his soul under someone else¡¯s control. But despite all of that, I think he¡¯s someone who stil holds onto warmth, and a deep sense of love and curiosity about humanity.
Q 4. We heard the recording process was quite special.
A: Aside from our very first meeting, we worked remotely via video calls since I was based in Korea and the production team were in the U.S. During recording, a camera was set up next to the microphone to capture not only my voice but also my facial expressions and physical movements. That animation reference was then used to help animate Jinu¡¯s character and his expressions, emotions, and even his gestures. In fact, the final look and style of Jinu were partially based on my appearance and even the hoodie he wears! This went beyond simple voice acting; my body and expressions were deeply integrated into the character.
I think that process really helped breathe life into Jinu, and allowed me to truly synchronize with him.
Q5. Tell us about your collaboration with the filmmaking team - particularly in working with Directors Maggie Kang and Chris Appelhans?
A: It was truly an honor to work with Directors Maggie Kang and Chris Appelhans. Since animation was a completely new creative process for me, there were unfamiliar and challenging aspects at first. But both directors guided me with such warmth and sensitivity that I was able to adjust quickly and really enjoy the process.
For example, they helped me explore how to express emotions using only my voice and how variations in tone, pacing, and silence could all convey something different. Even for the same scene, they encouraged me to try different levels of intensity and timing, which helped bring the character to life in a more multidimensional way.
I¡¯m truly grateful that they created such an open and supportive environment that allowed me to express myself freely.

Q 6. Describe Jinu¡¯s inner demons - what do they look like?
A: Jinu¡¯s inner demons stem from the pain, regret, and deep guilt of having had to abandon his family. Even if it was a choice he was forced to make, the memories continue to torment him.
That inner voice comes in the form of a low, heavy whisper always there to shake him or steer him away from what¡¯s right. Facing and accepting that darkness is never easy, but I believe it¡¯s something we all go through. It¡¯s through that process that we come to truly face ourselves and grow into stronger versions of who we are.
Q 7. How would you describe the world in which this film takes place?
A: It may look like a fantasy world, but if you look closer, it¡¯s not so different from our own. Good and evil coexist, and people¡¯s desires and sacrifices constantly collide. Within that world, I think K-POP serves as a symbol of hope.
Q 8. How did you feel when you first saw the film?
A: It¡¯s hard to put into words. I remember feeling completely overwhelmed in the best way. I think that¡¯s what people mean when they say they¡¯re left speechless. I found the script fascinating, but since animation is a genre I wasn¡¯t familiar with, I had a hard time imagining how it would all come to gether. But when I finally saw the finished film, it went far beyond anything I had pictured. It was so beautiful and moving and it honestly felt surreal.
There were so many things that felt possible because it was animation. Every scene felt like I was watching a dream unfold. More than anything, if my fans get to watch this film, I want to share that joy with them. I hope you¡¯ll fall into this story the way I did, and enjoy both the excitement and emotion that come with it.
Q 9. How is this film different from other animated films you¡¯ve seen before?
A: What stood out to me the most was that this is an animation where emotions take center stage. In many animated films, music often serves as background. But in this film, music, story, and emotion are all organically connected, and it felt more like a stage performance than just an animation. It was a completely new and memorable experience for me.
Q 10. What message do you hope to deliver through this film?
A: I hope the film reminds people that we al have darkness within us, and that sometimes, the bravest thing we can do is face it. At its core, this is a story about finding the strength to trust your own voice and move forward. I hope it offers comfort and courage to those who need it.
Q 11. What do you think of animated movies/shows and their unique power to tell really imaginative stories?
A: I believe animation is a medium that transcends the limits of imagination. It brings to life anything we can dream of unrestricted by reality, yet often rich in emotion, meaning, and depth. Whether you¡¯re a child or an adult, animation has the power to move hearts and tell stories that stay with you. That¡¯s what makes it so powerful. Also, as a longtime fan of Sony Pictures, and a true lover of animation, it was such a joy and a meaningful experience for me to be part of this project. I¡¯m so thrilled to connect with you all through Netflix.
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